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DTSTART;TZID=Europe/Rome:20220108T190000
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SUMMARY:Beyond Words
DESCRIPTION:A Film Trilogy: Giving Form to the Ineffable \n\n\n\nwith director\, writer and producer Hugh PidgeonRoundtable Guests: Eelco de Geus\, Gary Goldberg\, Donna Kennedy-Glans\, Jacob Raz\, Yuriko Sato and David SchrumModerated by Lee Nichol \n\n\n\nSaturday January 8\, 2022 \n\n\n\nThree Short Films9:00am PST  | 12:00pm EST  | 5:00pm GMT  |  6:00pm CET \n\n\n\nRoundtable Conversation10:00am PST  | 1:00pm EST  | 6:00pm GMT  |  7:00pm CET \n\n\n\nFree Online Pari Dialogue\n\n\n\nI first heard of Hugh Pidgeon’s Beyond Words trilogy from Hugh himself\, when he sent me a link to view the three films. Not realizing these were short films\, I put off viewing them for some time\, assuming an hour or more for each film. When I realized they were not lengthy\, I opened them right away\, beginning with A Moment of Clarity. \n\n\n\nAt the end of Clarity\, there was a simple state of silence. Eventually I began to reflect on what I had seen\, and was taken aback to realize that not once\, in 15 minutes of film about David Bohm\, did Bohm’s image ever appear. And yet\, the very essence of Bohm was everywhere\, distilled and concentrated with great artistry and a true sense of love. \n\n\n\nAs it turns out\, all these qualities are to be found in The Wall within Our Minds and Negotiating with Gravity\, the other two films in the trilogy. But it is from within the wholeness of the three films\, seen in their original intended sequence\, that the true import of Hugh’s work emerges. The overlapping\, interlaced meanings of the trilogy evoke a sense of mystery and beauty that transcends any of the individual films. These qualities linger\, and indeed work to rearrange one’s interiority\, one’s very being. \n\n\n\nIt was with great joy to learn from Hugh – who has kept these films rather close for a number of years – that he was enthusiastic about sharing them with the larger Pari community. This prospect has now come to fruition. Please join us for this very special\, one-time-only event! \n\n\n\nLee Nichol\, Moderator \n\n\n\n\n\n\n\n\n\n\n\nOn Saturday January 8\, 2022\, we are offering all our friends at the Pari Center the unique opportunity to view Hugh Pidgeon’s trilogy Beyond Words followed by a panel discussion. \n\n\n\nOur invited guests at the table will come together to discuss the ideas\, the beauty\, and the overall sense of Wholeness that is portrayed throughout. They will examine the interconnections between David Bohm\, Martin Buber\, the West-Eastern Divan Orchestra of young Palestinians and Israelis\, and the artist Andy Goldsworthy. \n\n\n\nThe films (with a combined running time of 32 minutes) can be viewed at leisure in a 60-minute window prior to the 90-minute roundtable discussion between our panelists. There will not be Q&A during this event. \n\n\n\nIt is essential that you get your ticket above in order to receive the necessary links. \n\n\n\nTHIS EVENT IS FREE AND OPEN TO EVERYONE! \n\n\n\nPlease get your ticket for this event at the top of the page and you will be sent the links to the films and to the roundtable conversation.  \n\n\n\nIf you have any questions or need any help just contact Eleanor Peat: eleanor@paricenter.com \n\n\n\nJoin us at the Pari Center on Saturday January 8\, 2022 for a screening of Hugh Pidgeon’s trilogy Beyond Words followed by a panel conversation. This is a unique opportunity to not only view Hugh’s films but to hear a ninety-minute roundtable conversation on the ideas presented in the films. \n\n\n\n\n\n\n\nThanks to creator and director Hugh Pidgeon\, it is our privilege to screen the Beyond Words trilogy\, Hugh’s stunning short films\, free of charge\, for the Pari Center community. \n\n\n\nThe Beyond Words trilogy opens with The Wall in Our Minds which introduces Arab and Jewish young musicians from the West-Eastern Divan Orchestra\, with founder and conductor Daniel Barenboim who believes the orchestra is a metaphor for what could be achieved in the Middle East. \n\n\n\nThese young people were brought together as a one-off scratch orchestra in 1999 (yet is still giving performances) by Barenboim and the philosopher and writer\, the late Edward Said. The name chosen for the orchestra The West-Eastern Divan was the title of a collection of lyrical poems by Goethe. One hundred years earlier\, Martin Buber prefaced two lines from the very same collection in his book I and Thou. \n\n\n\nNegotiating With Gravity\, the second film in the trilogy\, was the outcome of an invitation to the director to lead a plenary at an international conference of Gestalt therapists on Martin Buber’s contribution to the core notions of dialogue that inform Gestalt psychotherapy. \n\n\n\nFor Buber the first of what he called the ‘spheres of relation’ was our life with Nature. Going beyond words\, the photographic essay that became the film followed conversations with a botanist from Kew Gardens\, a professor of physics at Oxford\, a professor of mathematics at Warwick University\, a resident ecologist at Schumacher College\, and an artist whose paintings feature in the film\, the better to understand the five perspectives that featured in the passage from Buber’s book and begins ‘I consider a tree.’ \n\n\n\nThe third in the series A Moment of Clarity was conceived as a sister film to bring David Bohm and Martin Buber together for the first time in the same space. In Bohm’s Wholeness and the Implicate Order the physicist includes extensive reference to the Ancient Greek notions of measure in music and the visual arts. \n\n\n\nHugh drew his inspiration from Andy Goldsworthy\, a site-specific sculptor whose work he has long admired and is featured on the cover of the Routledge edition of Bohm’s On Dialogue edited by Lee Nichol. It is Andy Goldsworthy who speaks of a moment of clarity at the close of the film. \n\n\n\nHugh presents an entirely new configuration of Goldsworthy’s film Rivers and Tides brought into conjunction with David Bohm’s writing on process from Wholeness and the Implicate Order\, and the extraordinary Ice Music of Norwegian musician Terje Isungset. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nHugh Pidgeon is an organisational consultant\, an academic and a practicing Gestalt psychotherapist. He has been as much influenced in his work by the teaching of Martin Buber on dialogue as he has been by that of David Bohm .  Drawn by the commonality of insight they shared with each other\, Hugh created the trilogy Beyond Words\, several years in the making\, that features the two of them for the first time in the same space. \n\n\n\nA number of years living and working in Thailand and China and often visiting Japan have also proved a significant influence on Hugh personally.  He was first introduced to David Bohm’s work by fellow US consultants Roger Harrison and Peter Block while he was representing a Kansas City-based consultancy in Europe and was intrigued from the beginning by the interest David Bohm developed in the parallels in Buddhist teaching to his own work as a physicist. \n\n\n\nHugh’s primary interest is the contribution a dialogic orientation yet might make to the fractious collisions of opinion on how best to address our seemingly insatiable determination as the human race to sacrifice the ecological balance of the planet in pursuit of our own economic development – the outcome of the fragmentation in the way we think that David Bohm anticipated over 40 years ago. \n\n\n\n\n\n\n\nEelco de Geus met the work of David Bohm in his Dialogue Training in Germany with Freeman Dhoritiy. He is inspired by the integration of Bohm’s Thinking\, the relational approaches in the works of Martin Buber\, the process work of Arnold Mindell and different community building practices. Eelco applies this integration in a proces- oriented approach on dialogue\,  that inquires beyond words into the essence of human connection. He is co- founder of the Dialogue Academy Vienna\, which provides learning spaces for dialogue process work and systemic constellations. \n\n\n\n\n\n\n\nGary Goldberg received an undergraduate degree in Engineering Science from the University of Toronto and then a Medical Degree from McMaster University.  He completed residency training in Physical Medicine and Rehabilitation with subspecialty certification in Brain Injury Medicine.  In 2020\, he retired from clinical practice after over 35 years working in the field of brain injury rehabilitation at academic medical centers in Philadelphia\, Pittsburgh and Richmond in the USA.  He now is focused on drawing on this work experience to seek a means of conjoining faith and science into a coherent conceptual framework of holistic inquiry. \n\n\n\nGary is an energetic member of the Pari Center\, actively participating in our online events and is a member of the Pari Center Advisory Board. \n\n\n\n\n\n\n\nDonna Kennedy-Glans is a boundary-crosser. As a Canadian\, she has worked on the ground to add value to enterprising projects in over thirty-five countries\, in the public\, private and non-profit sectors. Donna began her career as a lawyer in the energy sector\, where she held several unique and pioneering roles involving corporate integrity\, transparency and sustainability. She founded a non-profit to build the capacity of women in Yemen\, served as an elected politician and cabinet minister in the province of Alberta\, has held leading roles on boards of directors\, and participates with her siblings in the stewardship of a family farm enterprise. \n\n\n\nDonna’s book about her work with women in Yemen—Unveiling the Breath: One Woman’s Journey into Understanding Islam and Gender Equality–was published by Pari Publishing in 2009. Donna’s latest book—Teaching the Dinosaur to Dance: Moving Beyond Business as Usual—will be released in March 2022; see teachingthedinosaur.com for details. Donna blogs at https://beyondpolarity.blog and is active on several social media platforms. She is an amateur photographer and delighted grandmother to two-year-old Kennedy. \n\n\n\n\n\n\n\nLee Nichol is the editor of David Bohm’s On Dialogue; On Creativity; and The Essential David Bohm. From 1980-1992 he collaborated with Bohm on various aspects of dialogue\, consciousness\, and education. \n\n\n\nHe has been on the faculty of the Arthur Morgan School in Celo\, NC; of the Oak Grove School in Ojai\, CA; of the Nyingma Institute in Berkeley\, CA; and of Denver University in Denver\, CO. \n\n\n\nLee has recently released – Entering Bohm’s Holoflux – which can be downloaded for free at: https://paricenter.com/product/entering-bohms-holoflux-by-lee-nichol/ \n\n\n\n\n\n\n\nJacob Raz is Professor Emeritus\, East Asian Studies\, Tel Aviv University. He translates and writes on Buddhism\, Zen Buddhism\, and Japanese Culture and poetry\, as well as his own haiku. Raz lived many years in Japan and travelled extensively in Asia. He has long been a practitioner and teacher of Zen. \n\n\n\nRaz has taught seminars and workshops on Martin Buber and Buddhism\, and wrote the Afterword in the new translation of Martin Buber’s book I and Thou into Hebrew [2014]. He has been active in the Consciousness Laboratory\, Tel Aviv University\, and wrote extensively on the subject. \n\n\n\nHe is also the father of Yoni\, a loving person with DS.  They speak ‘Yonish’\,  a language they have been creating over a lifetime through constant\, embodied dialogue. Consequently\, Raz became a social activist\, and has led a national movement toward a paradigmatic change in the life and dialogue with people with disabilities. \n\n\n\n\n\n\n\nYuriko Sato is a Japanese Jungian analyst and psychotherapist\, and a graduate of the C.G. Jung Institute Zürich. She studied medicine and worked as a psychiatrist in Osaka and Kyoto. She has private psychotherapy practices in Zürich and Bern\, and is a training/supervising analyst at ISAPZURICH (International School of Analytical Psychology Zürich)\, where she teaches on topics such as the Eastern (Japanese) psyche\, narcissism\, and psychiatry. \n\n\n\n\n\n\n\nDavid Schrum received his PhD in quantum theory at Queen’s University\, following which he spent two post-doctoral years with David Bohm at Birkbeck College. Here\, he entered Bohm’s world of creative and subtle philosophical approaches to physics and his enquiry into consciousness and what may lie beyond. \n\n\n\nDavid Schrum continues in these explorations\, in physics developing a new approach to relativistic quantum theory and\, through the dialogue process\, going into what it is to bring to light that which lies enfolded within our individual and collective consciousness.
URL:https://paricenter.com/event/beyond-words/
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DTSTART;TZID=Europe/Rome:20220119T180000
DTEND;TZID=Europe/Rome:20220119T200000
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SUMMARY:The Future Scientist - A Conversation with Dr. Iain McGilchrist
DESCRIPTION:A Conversation between Dr. Iain McGilchrist and Dr. Àlex Gómez-Marín \n\n\n\nWednesday January 199:00am PST  | 12:00pm EST  | 5:00pm GMT  |  6:00pm CET \n\n\n\nThe session is live and all registered participants will receive the RECORDING. \n\n\n\nA monthly virtual encounter to understand where science is going and to reimage where we hope it might go. \n\n\n\nScience as we know it is a relatively recent human invention. \n\n\n\nAfter the ‘scientific revolution’ of the seventeenth century\, science and philosophy remained entangled as ‘natural philosophy’ until they started to separate in the nineteenth century (the very word ‘scientist’ was coined in 1834). Subsequently\, science morphed from an activity carried out by wealthy people as a hobby (the ‘amateur\,’ in the etymological sense of the word) into a paid job within an institutionalized system (the ‘professional’). Paradoxically or not\, great ideas come more easily from people who are not paid to have them—it’s like forcing someone to be free\, or compelling creativity by an act of will. \n\n\n\nIn the last decades\, a series of technological and societal changes have further accelerated mutations of what it means to be a scientist; from the selection forces cast by neoliberalism on ‘scientific careers\,’ to the kind of ‘science in the age of selfies’ that social media promotes. Scientists too are prey to the perverse dynamics of nowadays ‘attention economy.’ To understand what scientists do and why they do it\, one must also understand the political and social contexts in which they live. \n\n\n\nIn addition\, the rise of ‘big science’—initially in physics (particle physics and astronomy)\, and subsequently in life and mind sciences (genomics\, and connectomics)—is reconfiguring the landscape typically inhabited by the romantic figure of the lone scientist receiving visions in dream-like states of consciousness and\, eventually\, advancing science in a stroke of genius. In turn\, the idea of the scientist bred in the current academe is that of a diligent caffeinated deluxe technician as a part within the larger mechanism of research group army; a person trained exquisitely (and almost exclusively) on a research aspect\, a specialist unable to keep track of what goes on beyond the narrow confines of his/her discipline. Young scientists are indeed trained to be good at following rules and procedures (explicit laboratory protocols\, but also implicit codes of conduct and metaphysical commitments) but discouraged to learn to see when and how to transcend them. \n\n\n\nIn turn\, the more recent promises of ‘big data’ and ‘artificial intelligence’ posit a near-future landscape where some of the core skills and tasks traditionally attributed to humans may be soon carried out by machines (or so the ‘scientific soteriologists’ claim). Algorithms are not just ingenious means to an end that require human intervention to imbue them with meaning\, but are swiftly becoming ends in themselves\, pretending they offer an automated unbiased interpretation of the data. \n\n\n\nA re-appraisal of the habits of the modern scientist entails an ethical dimension as well: why do we treat animals as objects (as means\, rather than ends in themselves)\, why do we study life in laboratories primarily by killing it\, and why do we study life in laboratories in the first place? These questions also reflect on ecological considerations regarding our place in nature (humans in relationship with other animals\, and other kingdoms of life) and our destruction of the planet. Francis Bacon’s prophetic vision of the Promethean scientist\, so vividly captured in Mary Shelley’s Frankenstein\, has become both a cautionary tale and an inspiration. \n\n\n\nIn addition\, and despite the real ‘paradigm changes’ in physics at the beginning of the twentieth century\, other branches of science such as biology and neuroscience remain under the spell of philosophical promissory materialism. Research facts are sold in tandem with covert metaphysical commitments. The objective-subjective divide still puzzles both scientists and the layperson. The mind-body problem remains to be solved (or dissolved). \n\n\n\nIn sum\, the whole enterprise seems to be committed to suppressing broad thinkers\, promoting academics that look more like corporate managers\, PR mavericks and professional fund-raisers and less like scholars\, who are asked to inhibit their interest in philosophy\, and to cast suspicion on their fertile imagination. Dogma and habit are inhibiting free inquiry. \n\n\n\nIt is as if science as a whole is becoming less scientific. \n\n\n\n\n\n\n\nIn the face of this milieu of factors\, in this series of online events we seek to reflect on what ‘the future scientist’ may look like. This is an ambitious exercise indeed\, which goes beyond mere theoretical speculation. It is not unlikely that sooner than we think current science will be unrecognizable to most of us. The consequences for humanity writ large\, not just for scientists themselves\, are pressing. \n\n\n\nThe question at stake is whether by ‘future scientist’ we mean what scientists in the future are all likely to look like\, or what a future better scientist might look like. In our conversations we will engage more in prescribing than in predicting\, that is\, we might begin by describing where science is going (prediction) to then describe where we hope science might go (prescription). Attempting the art of ‘dia-logos\,’ we hope to express a creative voice that will enlighten the way of a new science in the twenty-first century. \n\n\n\nThe series will be direct conversations\, that is\, no formal presentation of the invited speaker but a kind of ‘thinking aloud’ in the mode of a dialogue between each guest and Àlex Gómez-Marín as the conversation host. The idea is to engage critically with various aspects of ‘the future scientist’ in a lively and spontaneous format for approximately 45 minutes to an hour\, followed by comments and questions from the audience. Each conversation will take place virtually\, on a Wednesday each month. \n\n\n\nThe invited speakers to The Future Scientist series are chosen not just as great interlocutors to discuss these issues\, but also as exemplars and hints of what ‘the future scientist’ may actually look like here and now. \n\n\n\nJoin Iain McGilchrist and Àlex Gómez-Marín on Wednesday January 19 for the first event in this series. \n\n\n\nThe dialogue will be in a lively and spontaneous format of approximately 45 minutes up to an hour and we will then open up for questions from the audience. \n\n\n\nThe session is live and all registered participants will receive the RECORDING. \n\n\n\nSome likely topics that may emerge in this first conversation involve (i) the need of synthesis in the face of piles of analytic studies\, (ii) the pursuit of convergence from different lines of inquiry (such as neurology\, philosophy\, and physics)\, and (iii) the constraints\, both challenges and opportunities\, of doing research with and without current academia. \n\n\n\n\n\n\n\nDr Iain McGilchrist is a Quondam Fellow of All Souls College\, Oxford\, an Associate Fellow of Green Templeton College\, Oxford\, a Fellow of the Royal College of Psychiatrists\, a Fellow of the Royal Society of Arts\, and former Consultant Psychiatrist and Clinical Director at the Bethlem Royal & Maudsley Hospital\, London.  He has been a Research Fellow in neuroimaging at Johns Hopkins Hospital\, Baltimore and a Fellow of the Institute of Advanced Studies in Stellenbosch.  He has published original articles and research papers in a wide range of publications on topics in literature\, philosophy\, medicine and psychiatry.  He is the author of a number of books\, but is best-known for The Master and his Emissary: The Divided Brain and the Making of the Western World (Yale 2009).  A book on neuroscience\, epistemology and ontology called The Matter with Things: Our Brains\, Our Delusions and the Unmaking of the World\, was published in November 2021. \n\n\n\n\n\n\n\nDr Alex Gomez-Marin is a theoretical physicist turned cognitive neuroscientist. He earned his PhD in Physics in 2008 from the University of Barcelona\, where we studied the microscopic origins of the arrow of time. He also holds a Masters in Biophysics from the same university. He was a Juan de la Cierva Fellow at the EMBL-CRG Centre for Genomic Regulation where he investigated the neurobiology of action and perception in fruit flies\, and a Postdoctoral Fellow at the Champalimaud Center for the Unknown in Lisbon\, Portugal\, where he deployed a computational ethology approach to establish neuro-ethological principles in worms\, flies and mice. Since 2016 he is the head of the Behavior of Organisms Laboratory at the Instituto de Neurociencias in Alicante\, Spain\, where he has been a Ramón y Cajal Fellow\, and where he currently is an Associate Professor of the Spanish Research Council. His latest research concentrates on consciousness and cognition in humans in real-world situations\, combining high-resolution experiments with theoretical biology and continental philosophy. He is the author of a number of research articles\, and he is shortly to publish his first book in Spanish on the ‘tales not told’ in current neuroscience. Born in Barcelona\, he now lives in the Mediterranean coast of Alicante and has two daughters and a cat. You can follow him on social media at @behaviOrganisms and read his work here: https://behavior-of-organisms.org/read-us
URL:https://paricenter.com/event/the-future-scientist-a-conversation-with-dr-iain-mcgilchrist/
LOCATION:Online
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CREATED:20220111T083709Z
LAST-MODIFIED:20240424T082517Z
UID:10000136-1643220000-1643227200@paricenter.com
SUMMARY:Musical Borrowing: Theft or Tribute?
DESCRIPTION:Watch the recording\n\n\n\n\n\nhttps://www.youtube.com/watch?v=4ssv-oIe8D4\n\n\n\n\n\na webinar produced\, presented\, and performed by \n\n\n\nDr Donna Coleman \n\n\n\nStreaming from Studio OutBach® Santa Fe\, situated in the heart of the deep Indigenous history of Native New Mexico\, from ancient Paleoindians to Keres- and Tanoan-speaking peoples who were raided by the Comanches. \n\n\n\nWednesday January 269:00am PST  | 12:00pm EST  | 5:00pm GMT  |  6:00pm CET  |  4:00am AEST \n\n\n\nFrom the series: \n\n\n\nThe Quintessence of Music with Dr Donna Coleman\n\n\n\nA monthly musical and philosophical journey into the Mind\, Heart\, and Soul of Sound Organized in Time\n\n\n\n“What has been will be again\, what has been done will be done again; there is nothing new under the sun. Is there anything of which one can say\, ‘Look! This is something new’? It was here already\, long ago; it was here before our time.” \n\n\n\nEcclesiastes 1: 10–11 \n\n\n\nThe practice of appropriating a musical phrase\, a motivic idea\, a concept\, or even an entire melodic line as material for a “new” musical composition is as old as music itself. Composers from Johann Sebastian Bach (and before) to the present day have mined hymns\, folk music\, the clickety-claque of train trucks on the rails\, and the work of other composers (who may have borrowed from others themselves!) in the process of creating their own sonatas\, cantatas\, symphonies\, and suites. \n\n\n\nThis two-hour\, interactive webinar asks participants to consider the notion of originality vs plagiarism. If a composer “borrows” material from a pre-existing musical source\, at what point can that composer claim that her material is “hers”? \n\n\n\nDonna will discuss and perform examples of musical compositions by Johann Sebastian Bach\, Ferruccio Busoni\, and Charles Ives that make extensive and obvious use of borrowed material. Participants will have the opportunity to present their response to the question: theft or tribute? \n\n\n\nOn Wednesday January 26\, Donna will open our monthly Community Call with a presentation and followed by discussion and Q&A. \n\n\n\nTHIS EVENT IS FREE AND OPEN TO EVERYONE! \n\n\n\nJoin our Zoom meeting via the following link: https://us02web.zoom.us/j/81479605511 \n\n\n\nIf you would like to participate\, have any questions or need any help just contact Eleanor Peat: eleanor@paricenter.com \n\n\n\n\n\n\n\nRecommended Reading:\n\n\n\nSketch of a New Esthetic of Music by Ferruccio Busoni (1907)https://www.gutenberg.org/files/31799/31799-h/31799-h.htmTranslated by Theodore Baker; published 1911 by Schirmer \n\n\n\nEssays Before a Sonata by Charles Edward Ives (1918)https://www.gutenberg.org/files/3673/3673-h/3673-h.htmPublished by The Knickerbocker Press\, 1920 at Ives’s expense \n\n\n\n\n\n\n\n\n\n\n\nDonna Coleman is a multi-award-winning concert pianist\, recording artist\, author\, performance researcher and philosopher\, and master teacher whose career spans a half-century\, of which more than half has been based in Australia. She is also an accomplished weaver and photographer and an amateur but passionate astronomer and archaeologist with a keen interest in the culture of the Indigenous peoples of Australia and the United States. As Head of Keyboard and of Postgraduate Studies at the Victorian College of the Arts in Melbourne\, she convened weekly thought-provoking seminars that explored relationships between music and other disciplines. Donna is writing a book entitled Dancing with the Piano\, a collection of essays distilled from these sessions and from her many years of phenomenological engagement with her ultimate dance partner\, the piano. \n\n\n\nPhoto credit: Peter Paul Geoffrion
URL:https://paricenter.com/event/musical-borrowing-theft-or-tribute/
LOCATION:Online
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