Events

What is the ultimate nature of reality? In our contemporary scientific culture reality appears to consist of a multiplicity of interacting parts. That multiplicity exhibits some fundamental dualities: being and becoming, particle and field, mind and matter.

On the other hand the main stance of non-duality (advaita in sanskrit) points to the simple fact that in reality there are endless differences, but no separation at all: reality is regarded as an indivisible whole, while the perception of isolated entities is just a mental construct without any cogent ontological foundation (including the idea of a separate ‘ego’ dwelling ‘within’ a single body/mind).

Jon Goodbun’s research focuses on ‘ecological thinking’—both in terms of how we think about ecological systems, and how ecological systems themselves think—drawing in particular on his extensive study of the work of the ecological anthropologist Gregory Bateson. In this talk Goodbun will introduce some of the history and thinking of this important theorist, drawing in particular upon some of the ideas contained within his first collection of essays: Steps to an Ecology of Mind, as well as his later synthesis: Mind and Nature—A Necessary Unity, and his final incomplete text, published after his death by daughter Mary Catherine Bateson, called Angels Fear—Towards an Epistemology of the Sacred, and will situate these ideas in relation to more recent research, and the wider research interests of the Pari Center.

This session will continue the journey we began in Music and Numbers, Part I. Having embarked upon the landscape comprised of dissonant intervals and avoidance of tonality, we will explore the music of composers working with the so-called Twelve-Tone System: Riccardo Malipiero, Anton Webern, and Luigi Dallapiccola, for whom numbers provided the pathway to their idiosyncratic musical languages. We will begin by considering the way interval relationships in Johann Sebastian Bach’s Sinfonia in F minor create what we know as consonance and compare it to Riccardo Malipiero’s (1914 Milan – 2003 Milan) Invenzione #7, a dissonant work that is modelled upon it. Dr Coleman will demonstrate the way Webern created 144 possible versions of his twelve-tone row using the Magic Square.

Donna’s latest book Teaching the Dinosaur to Dance provides the roadmap builders and rebuilders—of society and of enterprise—with the tools to rethink, redesign and revitalize their organizations and to remain relevant and sustainable in a new and very different future. Business as usual is extinct. Disruption and social pressure are the new norm and change is inevitable for enterprises of all kinds—businesses, governments, non-profits, community initiatives and social institutions. We’ve reached a turning point and it’s time to evolve, or we go the way of the dinosaurs. We all need to act now to survive and find new ways to thrive in a changed world. But in an age of polarized debates on complex issues (such as fairness and climate change), how can leaders find a new way forward? How can enterprises re-invent themselves to make capitalism work better for more people? These are some of the compelling and timely issues that Donna and Julie will tackle in their conversation.

We live in a challenging time of transition which promises both hope and peril.  How are we to navigate a course that will take us from a story of separation, competition, and distrust to a new narrative of inter-being, cooperation, and love? How do we begin to give up and move beyond an incoherent and too often destructive structure of consciousness and a world which seems rarely to see the mediating presence of what has been called ‘evolutionary love’?

What is philosophy? Why do we philosophise? And why, in a time of crisis, does philosophy matter?

In a time of crisis, the temptation is often to withdraw, to fall back on our own resources, or to batten down the hatches. But in this talk, writer and philosopher Will Buckingham will explore how Levinas sets out a more challenging, and more fruitful, path. Weaving together philosophy and storytelling, he will argue that in a time of crisis, the greatest philosophical demand may be this: to open up the door.

We will discuss psychedelics at the intersection of science and philosophy, and also address the historical route that led to their prohibition (together with the decline of religious traditions in the West, the rise of the New Age disconnected from analytical thought, and the dominance of British idealism and current physicalism). Sacred plants are not mere recreational drugs, but mind-expanders towards other “modes of sentience”; a candidate remedy for the malaises of our civilization. The so-called ‘altered’ states of consciousness provide a fertile ground of inquiry whereby not only the mind can be recast as a different “object” of study but also afford a transformation of the very mind of the subject that studies it. 

Most artists, most artisans – really, anyone who creates – go through some process of envisioning…formulating…gestating…imagining. There are, as well, processes of intending, expressing, embodying, disclosing. And then further, manifesting, revealing, exhibiting. Some of these processes may operate prior to the threshold of conscious awareness. Some of them may move in a grey area. Some may be, or may become, overtly intentional. These various processes – and many others not named – may loop back on one another, interpenetrate one another, fuel or negate one another. For many who create, there is an element of mystery, of uncertainty, a dance of the unexpected and unforeseen.