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Music and Numbers, Part II
OnlineThis session will continue the journey we began in Music and Numbers, Part I. Having embarked upon the landscape comprised of dissonant intervals and avoidance of tonality, we will explore the music of composers working with the so-called Twelve-Tone System: Riccardo Malipiero, Anton Webern, and Luigi Dallapiccola, for whom numbers provided the pathway to their idiosyncratic musical languages. We will begin by considering the way interval relationships in Johann Sebastian Bach’s Sinfonia in F minor create what we know as consonance and compare it to Riccardo Malipiero’s (1914 Milan – 2003 Milan) Invenzione #7, a dissonant work that is modelled upon it. Dr Coleman will demonstrate the way Webern created 144 possible versions of his twelve-tone row using the Magic Square.